Sandman is arguably one of Neil Gaiman’s most well-known and wide-ranging creations. A stunning comic series, it’s been republished in a few different formats, and the Omnibus edition is one of the most treasured items in my collection. My ex-husband gave me volume one as one of the last gifts of our relationship – and, it must be said, as one of the only gifts he gave me that showed he knew what mattered to me. The second volume was a gift to myself, shortly after our divorce was finalised and I decided to treat myself to something I really wanted. And volume 3? Well, my wonderful partner gave me that for Valentine’s Day this year. So, it’s safe to say that the whole collection is meaningful to me in more ways than just the epic and fantastic story it contains.
The wonder that is Dirk Maggs is responsible for another fantastic incarnation of Sandman – the audiobook adaptation. It’s sensational, and I’ve been listening to parts of it each Sunday since it came out, and reading along with the comics. So far I’ve listened to the chapters that would have comprised Volume 1 and 2 of the graphic novel editions – Preludes and Nocturnes (#1-8 of the comics) and The Doll House (#9-16). I’m counting the graphic novel editions towards my book tally, rather than the Omnibus, which is 4 graphic novels combined, and also longer than the first installment of the audiobook.
The audio cast is stunning – a who’s who of the entertainment industry. Standouts for me so far have been Kat Denning as Death, the fantastic quirky goth girl who is one of my favourite characters, James McAvoy as Morpheus, and Michael Sheen as Lucifer. The stunning audioproduction is tied together with narration from Neil himself, sometimes reading the narrative elements of the original comic, and sometimes filling in additional details that are needed for context without the visual elements on the page. It’s a masterpiece, and I’m very glad I have it – even if it meant I had to break my self-imposed Am@zon ban, as it’s only available on Audible.